Tag: sabin bikandi

Txakoli & Music: CBS friend offers innovative masterclass in Basque cultural symbols

This past Saturday, April 15, as part of the 2017 Basque Fest celebrations held to introduce Basque culture to Easter vacation visitors to Bilbao, CBS friend Sabin Bikandi of the Aiko group, together with Alvaro García and Amaiur Cajaraville, offered up a lively, informal, and instructive talk and performance at the Basque Museum in Bilbao around the theme of txistu (flute) music and txakolina, the emblematic Basque wine, sponsored by the Bizkaiko Txakolina designation of origin.

Ever the consummate showman, Sabin explained several features of Basque culture with his usual good humor and panache, from the txistu itself–the Basque three-holed pipe or flute–to txakolina of course, a generous glass of which was served to audience members, but also how to wear a txapela or Basque beret, and what music means to him; in short, that music and dance are one and the same organic whole, and that music, dance, and txakolina were all important elements of the erromeriak or public outdoor dances that were traditionally held in the Basque Country.

Check out Alejandro Aldekoa: Master of Pipe and Tabor Dance Music in the Basque Country, Sabin’s wonderfully evocative portrait of a master txistularia or txistu player, Alejandro Aldekoa; a work that also addresses broader issues of Basque music and dance.

And if you do like Basque music and dance be sure to check out the book/CD/DVD Urraska: A New Interpretation of the Basque Jauziak Dances as Interpreted by Sagasta, an all encompassing exploration of these representative Basque dances.

 

 

BANDtzaldia… a new initiative from Aiko

Many of you will have read several posts we’ve done in the past about Aiko Taldea, a groundbreaking ensemble in the Basque Country that in recent years has come to redefine traditional music and dance by emphasizing, among other things, less spectacle and more participation. A key part of Aiko’s philosophy is that music and dance–and the two should really be considered one and the same–should be experienced first-hand, with people joining in rather than just watching.

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This coming Friday, June 24, Aiko will embark on yet another groundbreaking initiative: BANDtzaldia, a collaboration between Aiko and municipal bands in the Basque Country to offer open-air performances at which people are encouraged to get up an dance; yet another attempt by Aiko to revive the traditional spirit of the erromeria or open-air public dance that was once so typical throughout the Basque Country.  The first of these dances will take in one of Bilbao’s emblematic central squares, the Plaza Barria, and will feature a collaboration with the Bilbao Municipal Band. The music for the event has been composed by Sabin Bikandi and arranged by the composer Joserra Gutiérrez.

Check out a trailer for the show here, in which we see rehearsals taking place for Friday’s event:

To really appreciate what Aiko are all about, and what popular participation really means, check out the following video shot in the “seven streets” or Old Quarter of Bilbao, one hour of pure unrestrained joy!

We at the Center are honored to have collaborated ourselves on a couple of occasions with Aiko.

See in particular Sabin Bikandi’s  Alejandro Aldekoa: Master of Pipe and Tabor in the Basque Country, a wonderfully in formative work that besides recounting the life of one of the great Basque musicians, also functions as a general introduction to Basque music and dance. The work includes music scores and an accompanying DVD explaining various Basque instruments and dances.

Check out too Urraska: A New Interpretation of the Basque Jauziak as Interpreted by Sagaseta. This is a complete guide to the one of the most representative of all Basque dances, the jauziak, collective circular dances that involve short hops and jumps. It includes a book in Euskara and English, 2 CDs, a DVD of dance performances, a guide to the dance steps for performing the dances, and PDF copies of the text in Spanish and French.

Basque music and dance to feature at University of the Basque Country

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Sabin Bikandi of Aiko Taldea and Javier Garaizar, the deputy to the vice-chancellor of the University of the Basque Country’s Araba campus, sign the agreement

Congratulations are due to our good friends at Aiko Taldea, which has just signed a cooperation agreement with the Araba campus of the University of the Basque Country (UPV-EHU) to teach a traditional music and dance workshop as part of the university’s EHUskARABAnda initiative that seeks to encourage Basque-language related activities on the campus.

Aiko will teach the first workshop on December 15, and this will be followed by similar workshops every Thursday in Vitoria-Gasteiz as part of the groups’s touring class schedule through the Spring.

Aiko is fast becoming a key cultural point of reference in the Basque Country with its emphasis on fun and popular participation in traditional Basque music and dance. And we at the Center are proud to have worked with the group. Check out some Aiko videos here.

Check out Sabin Bikandi’s wonderfully evocative Alejandro Aldekoa: Master of Pipe and Tabor Dance Music in the Basque Country, a book is far more than just a biography of this important figure in the world of traditional Basque music; in effect, this is a complete and thorough introduction to both Basque music and dance in general that includes (among many other things) descriptions of instruments used, dance steps, musical scores for the most popular tunes used to accompany dances, and an accompanying DVD with examples of the dances discussed and clips of different Basque instruments, as well as images of different settings for bertsolaritza performances (all with English subtitles).

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See, too, Aiko’s  Urraska: a New Interpretation of the Basque Jauziak Dances as Interpreted by Sagaseta.  This is a complete guide to the famous jauziak dances–in many ways, the quintessential Basque dances–that includes a book in Euskara and English, 2 CDs, a DVD of dance performances, a guide to the dance steps for performing the jauziak dances, and PDF copies of the text in Spanish and French.

 

 

CBS Author Bikandi Honored at Major Awards

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Members of Kukai and Sabin Bikandi (right, wearing txapela)

CBS author Sabin Bikandi, founding member of Aiko Taldea, a group of qualified and experienced professional music and dance masters united in sharing and promoting Basque dance and music, was honored, May 18, at the 2015 Max Performing Arts Awards for best musical composition for a stage show for the score of Gelajauziak. This is the latest work performed by the Kukai Dance Company, which was also won the award for best group and which visited the Center in 2004, performing 1937: Gogoaren bidezidorretatik (1937: Journeys down memory lane). The CBS feels, then, especially proud to wish both Sabin and Kukai a well-deserved zorionak!

See a report on the event at Euskalkultura.com.

Sabin is the author of Alejandro Aldekoa: Master of Pipe and Tabor Dance Music in the Basque Country, described by one reviewer as, “a tour de force that seems destined to become a—if not the—definitive work on the subject and is essential reading for anyone interested in three-hole pipe music, or Iberian folk music and dance at large.”

And Aiko Taldea also teamed up with the Center to publish Urraska: A New Interpretation of the Basque Jauziak Dances as Interpreted by Sagaseta. This is a complete guide to the  jauziak, mutxikoak, or sauts basques circular dances that includes a book in Basque and English, 2 CDs, a DVD of dance performances, a guide to the dance steps for performing the jauziak dances, and PDF copies of the text in Spanish and French.

 

 

Alan Lomax’s recordings of traditional Basque music and bertsos

Alan Lomax (1915-2002) was one of the great American collectors of twentieth-century folk music. A scholar, writer, and activist, he was one of the main architects behind the folk revivals of the 1940s, 50s, and 60s, blazing the trail for the likes of Woody Guthrie, Bob Dylan, Joan Baez (who of course sings a memorable version of the traditional Basque song Txoria txori), and many others.

Alan Lomax in front of American Patchwork video, c. 1984. From the Cultural Equity website.

Together with his father, the folklorist and collector, John A. Lomax, he also recorded thousands of songs and interviews for the Archive of American Folk Song at the Library of Congress. Today, the Lomax Family Collections are housed at the American Folklife Center. To get some idea of the range of his activity, see the Alan Lomax Archive here.

In 1952-53, Lomax spent some time in the Basque Country, where he recorded many traditional songs as well as bertsos (improvised oral poems). The Association for Cultural Equity was founded by Lomax to explore and preserve the world’s expressive traditions with humanistic commitment and scientific engagement, and it generously posts Lomax’s Basque recordings here.

As well as making up a historical archive of incalculable value, these recordings serve to capture a time and place in Basque history in which public cultural expression in the Basque language was strictly limited by the Franco dictatorship.

Lomax’s Basque recordings include work songs (sung by both women and men), religious songs, sea shanties, and bertsos, including  some by two of the great bertsolaris of their day, Basarri (Inazio Eizmendi) and Uztapide (Manuel Olaizola),

Basarri and Uztapide. Photo by Indalezio Ojanguren. Image at the Department of Culture and Euskara, Provincial Government of Gipuzkoa

 

This is a truly invaluable resource for anyone interested in Basque culture in general or, more specifically, traditional Basque music and bertsolaritza. It is a fitting tribute to the life and work of Alan Lomax, and the Association for Cultural Equity is to be applauded for its efforts in posting these recordings online.

If you’re interested in these topics, the CBS publishes Alejandro Aldekoa: Master of Pipe and Tabor Music in the Basque Country, by Sabin Bikandi. Ostensibly a biography of one of the most renowned Basque taborers and dance masters, this work actually involves a wider description and discussion of the relationship between music and dance in the Basque tradition. What’s more, it is accompanied by a DVD that includes, among many other things, historic footage of Basque ritual dances in the 1920s, archive images of traditional Basque instrument makers and performers, and recordings of two different types of bertso performances (in both a formal championship and a less formal “bertso dinner” setting).

On bertsolaritza, more specifically, although the work that also includes a chapter on the musical  foundations of the genre, see Voicing the Moment: Improvised Oral Poetry and Basque Tradition, edited by Samuel G. Armistead and Joseba Zulaika. This book is available free to download here.