Tag: international women’s day

Baiona renames street in honor of Estitxu Robles-Aranguiz

Estitxu Robles-Aranguiz in 1970. Picture courtesy of Wikimedia Commons.

In conjunction with International Women’s Day, the City of Baiona yesterday unveiled a plaque commemorating the life and work of singer Estitxu Robles-Aranguiz Bernaola, known simply as Estitxu or “Beskoitzeko urretxindorra” (the nightingale of Beskoitze), and in doing so named a street in her honor in the city.

She was born in Beskoitze (Briscous), Lapurdi, in 1944 to a family of political refugees from Bizkaia fleeing the Franco dictatorship. Her father, Manu Robles-Aranguiz, was one of the founders of the Basque nationalist labor union ELA, and had himself already been forced into exile during the previous Spanish dictatorship of Miguel Primo de Rivera in the 1920s. Born into a naturally musical family made up of ten siblings, she studied classical guitar and at an early age Estitxu formed the Ainarak (The Swallows) group together with her sisters Edurne, Garbiñe, Gizane, and Maitane; while four of their brothers–Alatz, Irkus, Ugutz, and Iker–created the Soroak quartet. In 1967, at the age of twenty-three she began appearing solo in festivals, performing for the first time in public in Bilbao. A year later she released her first single, and this in turn led to more public performances in Bizkaia, Gipuzkoa, and Iparralde, with her rendering of American spiritual, gospel, country, and folk-inspired music in Basque. This early success as a pioneer of the New Basque Folk movement even led to an overseas tour in 1969 when, at the invitation of exiled Basque communities in Latin America, she performed in Mexico and Venezuela. Indeed, her first album was produced in Caracas, and went by the title Una voz increíble (Promus, 1970).

All of this coincided with the waning years of the Franco regime, and her performances in Basque were on more than one occasion subject to strict censorship controls. Still, in the 1970s her recording career really took off as she released a number of singles, albums, and children’s music collections. In the late 1970s and early 1980s she moved away from Basque reworkings of American Folk music toward more traditional Basque music, performing in the United States in 1983. After recording the album Zortzikoak (Xoxoa, 1986), however, she fell ill and was unable to perform for several years. She reappeared in public in 1993, performing a concert in Irun, Gipuzkoa, and signing off by saying “Laster artio, Euskal Herria!” (See you soon, Basque Country!), but three weeks later she was taken ill with cancer once more an died in a Bilbao hospital. A tribute album titled simply Estitxu (Agorila, 1994) was subsequently released in her memory.

CBS Blog celebrates International Women’s Day

Marilyn the trikitilari. Great street art found in Iurreta, Bizkaia.

The Center is proud once more to celebrate International Women’s Day, whose slogan this year is “Be Bold For Change,” and calls on people to help forge a better working world – a more inclusive, gender equal world; while the United Nations theme is “Women in the Changing World of Work: Planet 50:50 by 2030.” We are happy and proud to endorse these sentiments and, following the success of last year’s International Women’s Day post, in which we included a roundup of posts we had done on Basque and Basque-American women, we thought we’d repeat the winning formula by revisiting some of the posts we’ve done this past year on gender-related themes.

Jeanne d’Albert (1528-1572), Queen of Navarre, c. late-16th century. Image courtesy of Wikimedia Commons.

As regards the Basque Country itself, we have this past year explored the lives of historical figures like Jeanne d’Albret, Queen of Navarre, and, more recently, Eulalia Abaitua, a pioneering ethnographic photographer in the nineteenth century. In the past week, we’ve seen how women were front and center in eighteenth-century popular protest movements and how Bilbao has come to honor the women boat-haulers of its industrial past. We also remembered Maialen Lujanbio‘s historic victory at the 2009 national bertsolaritza championship. Moving ahead to the present, we got a glimpse into the busy lives of Basque sportswomen Maider Unda and Patricia Carricaburu in a post here. Continuing the sporting theme, we also celebrated along with the Athletic Bilbao women’s soccer team, the 2015-2016 champions, here as well as commiserating here with the Basque Country women’s soccer team that narrowly lost 2-1 against the Republic of Ireland; and we recently mentioned a major women’s pelota tournament. In the field of culture, meanwhile, we covered the premiere of the new pastorala on the extraordinary life of Katalina de Erauso and profiled Naiara de la Puente, an accordionist who was nominated for a Latin Grammy award last year. We also recently bid farewell to pioneering children’s author Marinaje Minaberri.

 

Mother and child. Photo by Eulalia Abaitua (c. 1890). Courtesy of Wikimedia Commons.

On the other side of the Atlantic we began a successful series of posts based on some of the more unusual or outstanding stories gathered in our major new publication Basques in the United States.  Two of the most read posts in this regard concerned Basque-American women: one on the long and remarkable life of Basque woman sheepherder Juanita Mendiola Gabiola and another on the importance of women more generally in that important historical institution, the Basque boardinghouse, through the lives of Anastasia “Ana” Arriandiaga Gamecho Arteaga and Luciana Celestina “Lucy” Aboitiz Goitia. Moving on to the present we recently included a post on the fascinating life of Teresa de Escoriaza, and, in our series on prominent American women of Basque descent, a profile of actress, singer, and businesswoman Nina Garbiras. And we bid a sad farewell to a beloved author and friend in Joan Errea. On a happier note, we also posted on a great social and networking initiative, the Basque Ladies Lagunak Christmas Luncheon in Reno.

Juanita Mendiola Gabiola, the woman sheepherder.

It would also be remiss of us not to mention the Center’s own dynamic women! We did a roundup of Sandy Ott‘s busy and successful year, as well as that of our (mostly women) grad students.

Our very own Sandy Ott

Ziortza Gandarias from Bizkaia, Amaia Iraizoz from Nafarroa, and Edurne Arostegui from California (or Kalifornia). The future of Basque Studies!

All this month, of course, is Women’s History Month and we are paying special attention to Basque-related stories of women in history, so be sure to keep checking in for more fascinating life histories. And a big shout out to Basque ladies everywhere!

March 8: In Honor of Basque Women on International Women’s Day

Here at the Center, on the occasion of International Women’s Day–whose theme this year is “Planet 50-50 by 2030: Step It Up for Gender Equality”–we’d like to take the opportunity to honor Basque women through the ages by sharing with you some of the posts we’ve done this past year on Basque and Basque-American women, and to look ahead to the future.

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World renowned rock climber Josune Bereziartu

In the past few months we’ve looked at the lives of an eclectic group of Basque women, from figures of historical significance like the swashbuckling Lieutenant Nun, Catalina de Erauso, one of the first Basque photographers Eulalia de Abaiatua, and pioneering physicist and meteorologist Felisa Martín Bravo, to contemporary sportswomen who enjoy international renown such as Edurne Pasaban and Josune Bereziartu as well as Basque chanteuse Anne Etchegoyen.

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The remarkable Yolande Betbeze  Fox (1928-2016)

On the other side of the Atlantic, our attention has switched to an ongoing series devoted to prominent American women of Basque descent, which to date include the recently deceased “Basque spitfire” Yolande Betbeze Fox; fashion icon Norma Kamali; philanthropist extraordinaire Laura Arrillaga-Andreessen; all-round renaissance woman Jauretsi Saizarbitoria; talk show host supreme Cristina Saralegui; and eminent academic Jeri Echeverria.

Hammer of witches

We’ve also reviewed some of our own publications that explore women’s themes in many different and complex ways, such as the moving biography My Mama Marie and innovative anthology Ultrasounds: Basque Women Writers on Motherhood as well as the novels The Hammer of Witches and Zelestina Urza in Outer Space. The female voice and memory, meanwhile, permeate Arantxa Urretabizkaia’s novel The Red Notebook. And don’t forget that one of our textbooks, Basque Gender Studies, is free to download (just click here).What’s more, many other stories of Basque women are included in the 2-volume work, Basques in the United States with principal research by Koldo San Sebastián, with the assistance of Argitxu Camus-Etxekopar, Joxe Mallea-Olaetxe, Jone Laka, and José Luis Madarieta and more. And we hope to share some of these stories with you in the months to come.