We are pleased to announce that we are starting our Monday Movies series to present Basque short films and contemporary filmmakers! The short films presented here have gained international recognition thanks to the Basque Government`s distribution program Kimuak, and they are part of the CBS`s upcoming book publication Kimuak Short Films: Seeds of Basque Cinema. Enjoy!
In a mournful midnight, the writer Edgar Allan Poe tries in vain to entertain himself reading occultist books, and he constantly remembers his beloved Leonore, who died shortly before.
Once upon a midnight dreary, while I pondered, weak and weary,
Over many a quaint and curious volume of forgotten lore—
While I nodded, nearly napping, suddenly there came a tapping,
As of some one gently rapping, rapping at my chamber door.
“’Tis some visitor,” I muttered, “tapping at my chamber door—
Only this and nothing more.
Edgar Allan Poe: The Raven
Tinieblas González and Karra Elejalde wrote the script of this short film on the basis of the American classic The Raven (1845), which catapulted its author, Edgar Allan Poe to fame. The adaptation keeps the same structure as the original poem.
The writer locks himself in his room, converted into a mausoleum, to dedicate his existence to the memory of the deceased woman. The music that evokes Leonor is associated with each of the apparitions of the beloved woman: the picture, the flashback and the hallucinations that torture Poe. This musical composition stands out for its subtleness. The room`s Baroque decoration features saturated red, resembling the iconography of the horror of Hammer Films. The cemetery evokes the suggestive imaginary of Monastery graveyard in the snow (1818-1819) by Caspar David Friedrich, the Romantic German painter, and its disturbing atmosphere is transferred to the forest that surrounds the mansion. Death transforms the woods into a sinister place where the branches of the trees reach toward the sky over a sea of snow. Poe is full of profound melancholy, and is lost outside on the fields. Leonor sends a seductive invitation to her husband so that he passes over to the other world.
Watch Part 1 and 2 here:
Tinieblas González said this about about making The Raven:
The Raven had a design of excellent production, it was a short film that had a presence. I spent more than 19 million pesetas on it, and received a lot of criticism on part of some short film makers. They said that it was more like a feature film rather than a short film. Apparently, The Raven lacked the aesthetics of a short film. It was an accusation that did not at all correspond to reality. I had seen many short films at an endless number of festivals all over the world, and I knew that it was not the case. In spite of the criticism, people started to become enthusiastic, and invest more money in their short films. Nevertheless, all of this disappeared. The design of production is fundamental in a short film, but in the past years it has been rather neglected. Depending on the story it tells, cinema can be poor. But there are films that need to offer a spectacle. Because at the end of the day, for me, cinema has always been about entertainment. I don`t consider myself an artist, I consider myself a creator. A creator of ideas. I make films because I like entertaining. In fact, I think that cinema is first of all entertainment. And later, if a film stays in the annals of history, it may become a work of art.