We are pleased to announce that we are starting our Monday Movies series to present Basque short films and showcase contemporary filmmakers. The short films presented here have gained international recognition thanks to the Basque Government`s distribution program Kimuak, and they are part of the CBS`s upcoming book publication Kimuak Short Films: Buds of Basque Cinema. Enjoy!
“Shall I be honest? I think I`ve fallen in love.”
“Come on María, you barely know him.”
“It doesn`t matter. You just feel it. I think we have tuned in to each other, and that`s it!”
Sometimes it`s not a question of long conversations, or living together. Sometimes a particular situation or encounter is enough to connect with someone. “Syntony” (Sintonía) by Jose Mari Goneaga is a romantic comedy where a Basque man, stuck in a traffic jam on the highway, tries to call the attention of a woman sitting in another car. He wants to warn her that her scarf is stuck outside of the door. She doesn`t see him, however; she is absorbed, singing. He starts to tune in to radio channels, until the music`s lyrics finally match those on the woman`s lips. He calls the radio program to warn her about her scarf.
The man, timid and incapable of dealing with the woman face to face, lacks the social skills to approach her in person, but he finds a way to connect with her over the radio. The fear of failure, of rejection, paralyzes our spontaneity, and “Syntony” is about taking risks when we stand before the unexpected opportunities that life offers us. Watch the short film, only available in Spanish for now:
Goneaga, who has directed well-known feature films such as 80 Days and Flowers, said this about his short film:
I am not a great friend of metaphors but, when I structured the script, I considered the cars on the highway as metaphors for people. And the people who are inside are like our real “I.” Even though we live surrounded by people, we have difficulty connecting, tuning in with someone, and to reach their interior. We see people talking on the radio and the phone, but we don’t see anyone directly approaching another person. Also, there is a reflection on the incapacity that we sometimes have to open ourselves towards others. This shyness… I didn’t intend this as something specifically cultural, but I have been repeatedly told that the male character is very “Basque.” What happens is that in the end you are Basque, you put your personality into your character in a certain way, and the result is that they tell you that it is very “Basque.”