Category: Iparralde (page 1 of 8)

What’s in a Song? Agur Xiberoa

Agur Xiberoa (Farewell Xiberoa) is one of the canonical songs in the Basque songbook, simultaneously a lament to the impact of enforced displacement as well as a testament to the powerful connection between people and place.

It was written in 1946 by Pierre Bordazaharre, also known as Etxahun-Iruri (1908-1979), from Iruri in Xiberoa (today known as Zuberoa). During his compulsory schooling (through age 13) Etxahun-Iruri was a good student and displayed a special interest in literature, becoming an avid reader for the rest of his life. Opportunities for humble rural people, however, to develop such interests further beyond the end of their school years were few and far between at the time and having finished his formal education he carried on the family farming tradition.

This did not prevent him, though, from taking an active part in Basque culture: he was involved in both the maskaradak and pastoralak, two key expressions of Basque culture in Zuberoa. Additionally, he also authored and helped to revolutionize the pastorala in the twentieth century, introducing more specifically Basque themes into the art form; and he was an accomplished xirulari or pipe player, wrote poetry, and was a bertsolari or improvising oral poet.

Agur Xiberua is a lament, the story of the enforced displacement many inhabitants of the province were forced to undertake in search of work and better opportunities than their homeland could offer. It stands as a testament to the cultural importance of Basque exile more generally, although its cheery tune also serves to celebrate the memory of homeland, family, and friends.

The chorus captures all of this perfectly:

Agur Xiberoa                                                            Farewell Zuberoa,

bazter güzietako xokhorik eijerrena          the most beautiful place on earth;

agur sor lekhia                                                         farewell, native land,

zuri ditit ene ametsik goxuenak                    my sweetest dreams go to you

bihotzan erditik                                                      from the bottom of my heart;

bostetan elki deitadazüt hasperena          I have often heaved a sigh,

zü ützi geroztik                                                       since I left you;

bizi niz trixterik                                                       I live in sorrow,

abandonatürik                                                         abandoned,

ez beita herririk                                                      for there is no city,

Parisez besterik,                                                    except Paris,

zü bezalakorik.                                                       which is your equal.

Some of the themes mentioned here, such as the new emphasis on Basque instead of more generically religious or French themes in the cultural expression of the pastorala as well as the impact of emigration from Zuberoa, are discussed in detail by Igor Ahedo Gurrutxaga in The Transformation of National Identity in the Basque Country of France, 1789-2006.

*Information sourced for this post from Orhipean, The Country of Basque.

Traditional Basque Sports Explained in Short Video

Herri kirolak–traditional sports–are one of the defining features of Basque culture. Many of these sports developed out of everyday chores like chopping wood or lifting heavy objects. Neighbors would then challenge each other to informal feats of strength and/or stamina and out of these challenges, the custom of betting on the outcome developed. Nowadays these challenges take place in organized settings, typically during local fiestas for example, and involve formal, regulated competitions.

Check out the following short video from Iparralde that explains in brief form a gathering of competitors in various Basque sports in the town of Donapaleu (Saint-Palais) in Lower Navarre.

The Center has published books on several aspects of sports in Basque culture. See, for example, Basque Pelota: A Ritual, an Aesthetic by Olatz González Abrisketa, and Playing Fields: Power, Practice, and Passion in Sport, edited by Mariann Vaczi.

Harpo Marx the Basque?

Too Many Kisses  is a 1925 movie directed by Paul Sloane and based on John Monk Saunders’s story, “A Maker of Gestures.” It is notable for being the earliest surviving film to feature Harpo Marx, but also for its setting: Iparralde or the Basque Country in France. The plot concerns a father who sends his Lothario son to Iparralde in the belief that he will not be able to leave a trail of broken hearts behind him there because Basques only marry among themselves (!) Harpo Marx plays a minor role as the Village Peter Pan. See a full description of the film, for a long time thought to have been lost, here.

As the above clip demonstrates, the movie makers were fairly liberal in their interpretation of Basque culture but it’s an interesting testament, nonetheless, to showing that the Basque Country was known in the US in the 1920s as somewhere singular and different. What do you think? Does Harpo make a convincing Basque?

July 13, 1955: Birth of pilotari Panpi Ladutxe

On July 13, 1955, one of the great characters in the modern age of pilota (also spelled pelota) was born in Azkaine, Lapurdi: Panpi Ladutxe (also spelled Pampi Laduche). The son of another famous pilotari or Basque handball player, Joseph Ladutxe, he began his career in the four-walled trinkete (closed court) version of the sport more common in Iparralde or the Northern Basque Country, where he was from, becoming world champion in this version at the tender age of 19. He later switched to the three-walled (open court) fronton variety more common in Hegoalde or the Southern Basque Country in his mid-20s, winning two doubles titles in 1987 and 1989, partnered by Joxean Tolosa.

Ladutxe stood out in many ways, being the first player from Iparralde to gain success in Hegoalde in the modern age. After retirement he went on to promote and develop the sport in and train fellow players from Iparralde, two of whom in particular–Sebastien Gonzalez and Yves Salaberri or “Xala”–went on to enjoy great success, following in his footsteps. He has also been a great showman away from the court, enjoying some success as a singer of traditional Basque songs both live and in the release of two records: Aitari (1995) and Chansons du Pays Basque (2002).

Dr. Ott’s new book, Living with the Enemy

We’d like to congratulate Professor Ott for her new publication, Living with the Enemy: German Occupation, Collaboration, and Justice in the Western Pyrenees, 1940-1948, published last month by Cambridge University Press. As many of you know, Dr. Ott is a leading expert on the Basques in Iparralde and has spent many years of research on the German occupation of France, specifically the Western Pyrenees. Combining ethnography and history, she brings out the complicated relationships between the occupiers and the occupied. For any of you who have taken her “War, Occupation, and Memory” class, you will remember how passionate she is and her ability to bring this period of history to light. I don’t know about you, but I can’t wait to get a copy of this.

He’s the description from the publisher:

In post-liberation France, the French courts judged the cases of more than one hundred thousand people accused of aiding and abetting the enemy during the Second World War. In this fascinating book, Sandra Ott uncovers the hidden history of collaboration in the Pyrenean borderlands of the Basques and the Béarnais in southwestern France through nine stories of human folly, uncertainty, ambiguity, ambivalence, desire, vengeance, duplicity, greed, self-interest, opportunism and betrayal. Covering both the occupation and liberation periods, she reveals how the book’s characters became involved with the occupiers for a variety of reasons, ranging from a desire to settle scores and to gain access to power, money and material rewards, to love, friendship, fear and desperation. These wartime lives and subsequent postwar reckonings provide us with a new lens through which to understand human behavior under the difficult conditions of occupation, and the subsequent search for retribution and justice.

  • Reconstructs the richness of wartime social life in nine narratives about ordinary but colorful individuals
  • Takes a unique ethnographic approach to the trial dossiers of suspected collaborators, appealing to anthropologists and historians alike
  • Detailed archival research reveals the role of German prisoners of war as insiders in a post-liberation court of justice, a phenomenon that has not been reported by other historians of the period

Reviews from the back cover text:

Sandra Ott, one of the leading experts on the history of the French Basques, offers an important and wonderfully readable study of the region during the Vichy Years. In Living with the Enemy, her ethnographic approach succeeds beautifully in describing and analyzing the relations between German occupiers and Basques in a place that in some significant ways stands apart from other regions in France. She brings to life the dramatic and complicated “hidden” story of the German occupation and Vichy collaboration in the Basque country. Ott’s compelling narrative and thoughtful conclusions nuance what we know about French collaboration with the Nazis during the Vichy years.

  • John Merriman, Charles Seymour Professor of History, Yale University.

A subtle and enthralling exploration of the myriad ways in which Germans and French were drawn together in complex webs of greed and vengeance, generosity and betrayal under the occupation. A magnificent contribution to the historiography.

  • Robert Gildea, Professor of Modern History, Worcester College, Oxford

This engaging and important book sees the big questions of France in the Second World War (questions of occupation and collaboration) refracted through the lives of individuals in one particular, and particularly interesting, region. It will be of special interest to those who study twentieth-century France or the Second World War, but it deserves a wider readership as well because it lives up to Marc Bloch’s injunction that the historian should be like ogre in the fairy tale who finds his prey “by the smell of human flesh.”

  • Richard Vinen, Professor of History, King’s College London

If these reviews don’t convince you to read it, I don’t know what will. Zorionak, Professor Ott!

June 26, 1921: Birth of choreographer and writer Filipe Oihanburu

On June 26, 1921 the influential choreographer and writer Filipe Oihanburu (also spelled Philippe Oyhamburu) was born in Argelèrs de Gasòst (Argelèrs de Gasòst in Occitan) in Béarn/Biarn.

At age 3 his family moved to Montevideo, Uruguay, and in 1930 relocated to Paris, but he always took an interest in his Basque family roots (his father was from Biarrritz, and while his mother was from Béarn, she also had Basque roots) and started learning Euskara, the Basque language, at an early age while vacationing on the coast of Lapurdi. He also took a growing interest in dance, and on moving to Biarritz, in 1944, he took over the direction of the Olaeta ballet company. In 1945 it changed its name to Oldarra and for much of the next decade offered a plethora of performances. In 1953 he founded the professional music and dance group Etorki, which eventually traveled the world promoting Basque music and dance.

He combined his work as a choreographer with writing books, mostly on Basque politics and culture. More recently, he wrote his memoirs about living in Nazi-occupied Paris during the 1940s.

Check out an interview (in Basque) with Oihanburu here.

Great new video guide to Kakueta Gorge

There’s somewhat of an end-of-term feeling around here and our thoughts have turned to the approaching summer, travels, and of course the beautiful Basque Country. And once again we will shamelessly borrow a video from our good friends at About Basque Country, this time one that showcases the amazing Kakueta Gorge.

We did already write about this landmark site in a previous post but we also think it’s well worth revisiting one of the truly remarkable spots in the Basque Country, a little piece of Amazonia in Xiberoa/Zuberoa!

This also got us to thinking about other interesting or emblematic sites … especially those off the beaten track somewhat.  So if you have any suggestions why not let us know? We’d be happy to share your thoughts!

Usopop Festibala 2017 this weekend

This weekend people lucky enough to find themselves in the Basque lands will have the opportunity, should they wish, to dance gently away to the sweet sounds of the Usopop Festival, a wonderfully quirky mix of roots, folk, rock, and pop music in the beautiful setting of Sara (Lapurdi) and the Lizarrieta Pass between Lapurdi and Nafarroa. Check out the teaser here.

 
 https://www.kanaldude.tv/Teaser-Usopop-2017_v4947.htmlhttps://www.kanaldude.tv/Teaser-Usopop-2017_v4947.htmlhttps://www.kanaldude.tv/Teaser-Usopop-2017_v4947.html

 

New York Times celebrates Biarritz

Biarritz, photo by Gilles Guillamot via Wikimedia Commons

The New York Times has published an article on the flourishing life of Biarritz on the Basque coast in France. Makes me want to go for a visit!!!

Read the article here!

Four takes on Basque identity from a food perspective

Check out a lovely article on Basque food and tradition in Iparralde or the Northern Basque Country from the gourmet food, wine, and travel magazine Saveur, in its continual quest to “savor a world of authentic cuisine.” Now we could get all highfalutin and scholarly about the nature of authenticity in culture as a whole, but seeing as though this is meant to be a fun blog and a downright celebration of all things Basque… we won’t! Yay!! In the article, author Jane Sigal visits a charcutier, a pepper grower, a baker, and a cheese maker in Iparralde to see how the food they make represents the place in which they live. In  a beautiful philosophical turn, cheese maker Raphaël Eliceche comments that, “My cheese is for sale … Not the Pays Basque.”

Check out the full article here.

*Image: Official seal of Bayonne Ham. Photo  by Émile Pujolle, courtesy of Wikimedia Commons.

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