Category: CBS books (page 1 of 10)

Monday Movies: “The Great Zambini” by Igor Legarreta and Emilio Pérez

“The Great Zambini is a story that has a touch of sadness but, in the end, we can see some hope in the relationship between father and son.” Emilio Pérez

 

Situated in the middle of the desert, in an almost lunar landscape, a rickety roulette serves as home for a family that lives among the abandoned remains of an old circus. The son (Aníbal Tártalo) is ashamed of the father (Emilio Gavira) because he is a dwarf, and suffers the mockery of the other children. One day the father observes his son`s fascination with an image of the man stepping on the moon for the first time on television. He designs a plan to win his son`s admiration. The difficult relations between the central characters are articulated through their expressive looks that rarely cross, but perfectly condense the emotions that live within each one of them: the son`s shame, the father’s pain, and the mother’s sadness (Esperanza de la Vega), who is torn between the two.

One day the father is waiting for his son at the exit of the school and notices that, in front of him, a little girl is holding on to her mother`s hand, and watches him fixedly. The dwarf man winks, provoking a timid smile from the little one. His own son, however, is incapable of showing any sign of love for his father. He hides in the bathroom until the rest of the students leave because he is ashamed of showing with his dwarf father in public.

The father doesn`t tolerate his disrespect and punishes him by not allowing him to have dinner. The mother, however, who divides her love and understanding between them, brings him a sandwich to the canon, where the child once again hides from his father. The father observes the scene from the door of the mobile home and understands that he must do something in order to recover the love of his son. At this very moment, a fabulous plan is born, and magic erupts into the story, evoking with the magic of the old circus. Zambini relocates and re-furbishes the canon that, until then, served as the hiding place of the embarrassed child. With exquisite subtleness and narrative economy, the filmmakers reveal the father`s plan: resuscitate the old days in the circus, once again light the fuse of the marvelous scene where children`s hopes and dreams become reality, and thus replace the child`s embarrassment with fascination and admiration for his father.

Monday Movies presents Basque short films and contemporary filmmakers. The short films presented here have gained international recognition thanks to the Basque Government`s distribution program Kimuak, and they are part of the CBS`s upcoming book publication Kimuak Short Films: Seeds of Basque Cinema.

Click on the link below to watch the film. Enjoy!

 

 

 

 

The William A. Douglass Center for Basque Studies 50th Anniversary

Photo credit: Josu Zubizarreta

During the darkest days, when we were denied our language, our culture and our identity, we were consoled by the knowledge that an American university in Nevada had lit one small candle in the night.

-Lehendakari Jose Antonio Ardanza, March 1988

Photo Credit: Iñaki Arrieta-Baro

Last week, on November 8, the William A. Douglass Center for Basque Studies celebrated its 50th anniversary with CBS faculty, students, and staff as well as countless members of the Basque community and supporters of the Center. Held at the Jon Bilbao Basque Library, the space was packed quickly. There was food and drink and a wonderful atmosphere. People reconnected with old friends and new ones at the lively event. Here’s some background on the CBS ‘s History and Mission:

History

Originally called the Basque Studies Program, the Center was created in 1967 as part of the Desert Research Institute at the University of Nevada, Reno. At that time, the DRI was creating new programs to reach various aspects of the Great Basin’s inhabitants and history. The idea for studying the Basques was proposed since Basque-Americans have long formed a prominent minortiy in the region and have contributed a great deal to its development. Bill Douglass served as the Program’s director from 1967-1999, when he retired to become Professor Emeritus in Basque Studies. The Basque Studies Program was renamed the Center for Basque Studies as a result of a program review conducted in 1999.

CBS Mission

The primary mission of the CBS is to conceive, facilitate, conduct, and disseminate the results of interdisciplinary research on the Basques to a local, regional, national, and internation audience, and by extension to draw attention to the human experience of small ethnic groups. The Center seeks to maintain excellence in all its endeavors and to achieve its goals through high quality research, publications, conferences, active involvement in scholarly networks throughout the world, as well as through service and teaching.

Channel 2 News was present and recorded a short news video on the event, available online. In it, they interview Xabier Irujo, the CBS director, and Dr. Sandy Ott, one of our professors. The video definitely captures the mood of the event.

Photo Credit: Iñaki Arrieta-Baro

President Johnson of UNR was given the word first, and he spoke of the history of the CBS and its impact on the UNR campus. He has taken a few trips to the Basque Country with the advisory council and genuinely enjoys our culture! Next up came William A. Douglass, our namesake and one of the founders of the CBS, as well as a pioneering researcher on Basques in the U.S. Douglass reflected on the center’s history and his own place within it. Dr. Irujo then spoke about both the CBS and Basque Studies in a global context, providing jokes and anecdotes. We were then honored by Jesus Goñi’s bertsoak celebrating the Center’s place in Basque history.

Photo Credit: Iñaki Arrieta-Baro

Photo Credit: Gemma Martín Valdanzo

Overall, it was a great event that gathered so many voices from the Basque community and academia. To 50 more years of the CBS!

 

 

 

 

 

WSFH 45th Annual Conference

The Western Society for French History’s 45th Annual Conference was held on November 2-4 here in Reno, sponsored by our very own Center for Basque Studies and the Santa Clara University History Department. Dr. Sandy Ott led the local arrangements committee with help from numerous members of the CBS staff and students, dedicating countless hours to the conference’s success. There were around 150 speakers and attendees to the 35 panels on diverse topics such as “Imperial Mobilities: Labor, Goods, and Technology between Colony and Metropole” and “Nazism, Neo-Nazism, and Exile the French Basque Country.” To check out the program, visit the WSFH website. I will include a brief description of the conference, however, provided by the society:

The forty-fifth annual conference of the Western Society for French History will be held from November 2-4 in Reno, Nevada. The theme for this year’s conference is “Diasporas, Displacements, and Migrations,” and engages with diverse human experiences of relocation, both forced and voluntary, and invites reflection on large-scale human displacements, both past and present, and the long-term consequences they generate. Our keynote speakers will be Tyler Stovall (University of California, Santa Cruz) and Annette Becker (Paris Ouest Nanterre La Défense).

The University of Nevada, Reno is the home to the William A. Douglass Center for Basque Studies, which is co-sponsoring the conference. The conference will highlight the Basques and their vibrant culture, and participants will be able to sample Basque cuisine at the Friday business luncheon. The Basque experience reflects the conference theme, and our aim is to bring aspects of Basque culture to the program so that participants can appreciate the historic importance of the Basque people in the Great Basin Region of the American West.

This year the conference organizers are introducing a new format: a linked Conference Plenary Roundtable and Conference Workshop.  Following on last year’s excellent discussion at the roundtable “Crisis in French History?” we have planned the roundtable “Addressing Structural Racism in French History and French Historical Studies,” followed by a related workshop in which we hope colleagues can explore in more depth pedagogical questions raised by the roundtable discussion.  If you are interested in exploring strategies for engaging with questions of race in your classrooms, please plan to attend this inaugural Conference Workshop.

As co-sponsorers of the event, we had our own books out and of course, Dr. Ott’s new Living with the Enemy. We also had a collection of posters from the Jon Bilbao Basque Library on display, which really livened up the space.  Numerous questions were asked about the Basques at the registration desk. One professor, although raised in Brittany, had Basque ancestors who had made their way into France. Another had visited the area in the late 1960s, who recalled his travels with much enthusiasm. The attendees seemed genuinely interested in learning more and got the chance to have a Basque-style lunch too. Food is always the best way to learn about a culture!

Yesterday’s post outlines the panel on “Nazism, Neo-Nazism, and Exile in the French Basque Country” and the presentations by Aurélie Arcocha-Scarcia, Mari Jose Olaziregi, and our own Ziortza Gandarias. Dr. Zulaika’s comments resonated with the present and the past of the Basques. Overall, it was a great success.

On a personal note, I had the chance to reconnect with a professor of mine after 10 years. I had seen his name on the program, Dr. Jonathan Beecher, but couldn’t put a face to the name. The moment he walked up to the registration desk, I immediately recognized him. He was on a panel entitled “Flaubert, Marx, and 1848,” with Biliana Kassabova and Dominica Chang, chaired by Naomi Andrews and commented on by Mary Pickering. I had a chance to attend the panel, and as I had read both Flaubert and Marx in Dr. Beecher’s class, “19th Century European Intellectual History,” I was brought back to the days that I began my studies in History. Back then, my focus was on Modern Europe, Germany to be exact. How things have changed! I am now in my sixth year studying Basque migration! Attending that panel made me reflect on my path as a historian, and the many professors and books that have influenced my studies. In that regard, the WSFH conference was a wonderful opportunity to hear different scholars and re-energize my own studies.

Faculty News 2017: Joseba Zulaika

Joseba Zulaika spent the spring semester of 2017 conducting field research on weaponized drones while living at the Catholic Workers Association in Las Vegas. His latest publication activities include “Aresti: A Red Dawn Is Breaking.” Foreword to Gabriel Aresti, Downhill and Rock & Core; “How Terrorism Ends—And Does Not End: The Basque Case,” Critical Studies on Terrorism; “Amets Amerikarra: Babes Nazazu Nahi Dudanagatik,” in Arantxa Elizegi Egilegor; Trump: Amesgaizto amerikarra, in Aleka; “Agirre at the Crossroads,” in The International Legacy of Lehendakari Jose A. Agirre’s Government. Joseba gave various public lectures: “Memoria y reconciliacion,” at the Elkarbizitzarako bilerak, Tolosa, for a debate with Juan Aranzadi and Aitzpea Olaizola, on May 12. He presented the paper “Ciudad, Arquitectura, Laberinto” at the symposium “The Role of Art, Design, and Architecture in the Construction of the Identity of Cities,” in Barcelona, Foment de les Arts i del Disseny, on June 30. He gave a lecture entitled “Terrorism, Sovereignty, and the State of Exception” at Trinity University, Texas, on October 10.

 

Topeka by Asier Altuna: Of Men and Rams as Metaphors for Violence

 

We are pleased to announce that we are starting our Monday Movies series to present Basque short films and contemporary filmmakers! The short films presented here have gained international recognition thanks to the Basque Government`s distribution program Kimuak, and they are part of the CBS`s upcoming book publication Kimuak Short Films: Seeds of Basque Cinema. Enjoy!

 

Aurrera doan herria, a nation progressing, a nation on track.” Or is it?

What distinguishes the creative brand of Asier Altuna is the minimalism, visual potency, and poetic value of images strongly rooted in the Basque imaginary. The director eliminates dialogues and transmits, from a critical perspective, brief but powerful messages about society, humans, and their behaviors. Altuna uses an eminently Basque tradition, the ram fight, to speak in a metaphorical way about the duality between human beings and animals in a sick, violent and intolerant society whose members aim to destroy one another and themselves.

The film starts out with the traditional Basque ram fight. This pattern is broken by a brief shot of a man who suddenly hits the person next to him with his head, very much like the rams just did. The natural sound of the fiesta is substituted by the sound of the tambourine and the xtalaparta, Basque instruments of percussion whose beat strengthens the sensation of the blows. Altuna shows how humans have occupied the primitive place of animals; they do not only charge at the person next to them, but also foolishly hit their head against a stone wall when they can`t find another person to attack. Meanwhile, one of the rams escapes and, in a display of common sense that humans have just lost, he disappears where he belongs, nature. The duality proposed between the animal behavior of human beings and the human behavior of the animal is best visualized by the anthropomorphic sculpture ram by Ricardo Hernández.

It is almost inevitable to interpret these images as a metaphorical treatment of the Basque Country. It is particularly curious and ironic that the short film should open with an overprint that reads “Aurrera doan herria,” “a nation progressing, a nation on track,” a slogan borrowed from the Basque government at the time, whose Department of Culture sponsored part of the short film. Enjoy!

 

<p><a href=”https://vimeo.com/16310694″>TOPEKA</a> from <a href=”https://vimeo.com/user3148570″>txintxua</a> on <a href=”https://vimeo.com”>Vimeo</a>.</p>

 

Basque Ladies “Lagunak” Luncheon

 

Last Saturday, the 23rd of September, we celebrated the annual Basque Ladies Luncheon at the restaurant,  Louis Basque Corner. It is an essential event for all the Basque ladies in Reno and its surrounding areas. A unique occasion to gather together, and when there’s food on the table of a good restaurant, it is even better!

The event began at 11.30am, and the restaurant was pretty full when we arrived. The ladies, with their Lauburu necklaces -in all sizes and colors- were conversing,  laughing, and loving each other’s company, some of them, the bravest ones, were drinking Picon Punch. The talented ladies Judy Mendeguia and Joanie Test shared their beautiful handmade horseshoes and crosses with us, such beautiful and exceptional artwork made with so much love and passion. The Center for Basque Studies didn’t want to miss out on the opportunity to show and share our latest publications with the ladies. The reception of our books was incredible, thank you so much!

Around noon we began having lunch, and the menu was delicious. The traditional Basque family-style lunch included soup of the day, French bread, Basque beans, salad, French fries, an entree, and a complimentary glass of house wine or a soft drink, and coffee. They set up an area for us and they treated us phenomenally.

Unfortunately, this lunch wasn’t the same without our beloved, Florence Larraneta Frye who was unable to attend. She is an amazing Basque woman who made the endeavor of the Basque Ladies Luncheon a reality, a dream come true. It is also worth thanking Kate Camino for maintaining the spirit and us ladies together.

Till the next time!

Monday Movies: “On the Line”

We are pleased to announce that we are starting our Monday Movies series to present Basque short films and contemporary filmmakers! The short films presented here have gained international recognition thanks to the Basque Government`s distribution program Kimuak, and they are part of the upcoming CBS publication Kimuak Short Films: Seeds of Basque Cinema. 

On the line (2008), by the Donostia-San Sebastian based director, Jon Garaño, is a mockumentary (satire documentary) about the volunteer border patrols that oversee the border between the United States and Mexico.

The short film mixes three formats: news program, documentary, and fiction. It relates the life of a volunteer border patrol, Adam, who guards the Mexican-American border in order to prevent the arrival of illegal immigrants. Towards the beginning of the short, his wife, Jane, is preparing breakfast while chatting with the filmmakers about her children. It’s a big white working-class family. The woman is proud of her volunteer husband, and as a good wife, she brings Adam’s lunch. She says goodbye to him with her baby in her arms. This ideal family model of American society is opposed to the immigrant woman Eugenia`s figure, who is trying desperately to cross the border in the desert, with a baby in her arms. Eugenia is a single mother and does not have the family structure that Jane has. When Adam arrives at the post, his colleagues tell him that a couple of Mexicans are crossing the borders, and there is no trace of the police. He takes his rifle and rushes to the place where Eugenia was spotted. Watch the rest of the short film, and we hope you enjoy it!

Director Jon Garaño said this about this short film:

The topic occurred to me when I lived in San Diego. This American city is close to Tijuana, on the border. Every day there was news about illegal immigration into the United States, and it occurred to me that I should shoot something about this issue. But On the Line could have been set in Ceuta. Some local realities transcend their environment, and can be perfectly understood beyond their borders. In fact, we live very similar realities in the world. Like us, or any country that receives immigrants, Americans must recognize the importance of immigrants, and I wanted to reflect on this in a very subtle way. It is for this reason that we ended the story with a shot of the American flag. I think that this shot has not been correctly interpreted. It was understood as a criticism. Possibly I erred in the form of expressing the message, but what I wanted to transmit is that those who cross the border are now part of the country.

Stay tuned on Mondays for more on the Kimuak series, and the upcoming book.

Post by our new Professor, Mariann Vaczi. Interview coming soon!

From the backlist: Empire and Terror

In April 2002 the Center hosted a conference titled “Nationalism, Globalization, and Terror: A Debate on Stateless Nations, Particularism/Universalism, and Radical Democracy.” The conference was ambitious in scope, attracting globally renowned scholars; opportune in timing, coming as it did in the wake of the then relatively recent events of 9/11; and prescient in its findings in light of later international developments.

The Center subsequently published a book that included papers delivered at the conference. Titled Empire & Terror: Nationalism/Postnationalism in the New Millennium and edited by Begoña Aretxaga, Dennis Dworkin, Joseba Gabilondo, and Joseba Zulaika, we think this is a work well worth revisiting some fifteen years after it was first published.

Specifically, the issues is discusses–the nature of democracy and capitalism, the challenge of stateless nations to the established political order, and the rise of international terrorism–are as important today as they were back at the turn of the millennium, indeed arguably even more so. In broad terms, the book addresses the themes of nationalism, globalization, terrorism, democracy, and culture.

Quoting at length some passages from the introduction:

We do not see the concrete and specific cases discussed here in merely particularistic and exceptional terms. Rather we think of them as providing specific political contexts in which are dramatized crucial questions about contemporary relations of power, sovereignty, statehood, ideology, and fantasy. We see them as sites of psychic investments in the particular that nonetheless have implications for the universal dimension. Particularistic claims, such as self-determination, ultimately appeal to universal principles. Moreover, specific interests, if they are not to be merely relational or differential, invariably end up in conflict with other such interests, mediated by a field of power relations that is structured by forms of dominance, subordination, and exclusion . . .

A genuinely democratic society permanently shows the contingency of its foundations, the gap between the ethical moment and the normative order. Critical in this context are antagonisms, which have no objective meaning and which produce empty signifiers with no necessary attachment to any precise content. While authority attempts to establish an objective order of social relationships, it is subverted by antagonisms that lack a definitive ground. At the level of political subjectivity, historical analysis shows that oppositional identities are simultaneously antagonistic to and dependent on the status quo from which their opposition and hence identity is derived. Issues pertaining to antagonism and oppositional identities repose at the center of our reflections . . .

As scholars, we are concerned with issues of particularism/universalism and democracy. The spiraling circle of violence and the narrowing scope of the discussion about it likewise preoccupy us. We see this volume as a contribution to expanding that debate beyond the idea that terrorism is intrinsically evil and therefore can only be condemned, or the notion that it is part of an inevitable clash of civilizations. Situating terrorism within different historical contexts and analyzing how it functions as a stimulus for discourse are the preconditions for opening up that discussion beyond today’s stultifying polarities.

Empire & Terror is available free to download here.

 

Heading into the Fall, here’s a recap of our summer publishing!

It has been an extremely busy summer here at the Center press, and now that students, new faculty and grad students are trickling in, we thought it would be a great idea to just quickly recap our summer publishing season!

Might post more on these individually, but just want to gather them together like a family portrait!

Bitter Justice: The Penitentiary of El Puerto de Santa María and Its Basque Dimension, 1936-1949

By David Lyon

ISBN 9781935709800

$32.00

Incarceration of political enemies was a principal strategy for repression by the Francoist regime during the Civil War and Franco’s early rule and El Puerto de Santa María, in Andalusia, was a major prison. Bitter Justice tells the story of some of its prisoners, focusing on the Basque dimension and based on newly cataloged prison files, interviews with family members of prisoners, and research in Cádiz and Basque archives. The book tells the story of these prisoners: their charges, sentences, and conditions of release, which were generally more stringent for Basque prisoners than others. And El Puerto contained more Basque prisoners than all the other Andalusian prisons put together. In addition, Bitter Justice considers important interrelated issues: El Puerto’s background including conditions and treatment of its inmates; Basque prisoners’ conditions; a presentation of collective memories of Basque prisoners’ relatives relating to the prisoners’ lives before, during, and perhaps as important, after their return to their communities. The book also presents case studies of “offenders” and analyzes any inconsistencies of sentences, charges, and release conditions that affected Basque and Cádiz prisoners. This research shows that prison irregularities, and discrimination against those convicted from the Basque Country, were normal. This history, the first of its kind, sheds a new light on the terrible early repression of the Franco regime and its effect on many lives.

 

Journeys, Fruits, Neighbors

by Maite González Esnal

$16.00

ISBN 9781935709855

Journeys, Fruits, Neighbors is an epic ramble through space and time—from the modern day Fryslân, The Netherlands, to the Basque Country in the years of privation after the Civil War. The stories are precise and radiant, thoughtful and emotional. They are filled with memorable characters: a Good Samaritan who offers coffee and registers birds, and who is, in his own words, “the master of my sounds, I only hear birdsong”; the railway man, Jean, whose true calling is his garden; and many more. Through these stories the narrator shines, illuminating with her inner musings, memories, and recollections both large and small. In turns contemplative, active, reflective, and expansive the result is a collection that glitters and resounds. Although it resists definition—being part travelogue, memoir, short story collection, and more—it is always filled with insight, stunning imagery, and a deep and wide heart.

 

Far Western Basque Country

by Asun Garikano

$31.95

ISBN 9781935709787

The experience of Basque immigrants to the United States has come in many shapes and forms, and Asun Garikano takes nearly all of them into account in this comprehensive look at the lives of the ordinary men and women who made the brave journey to the US West in search of a better life. Although their experiences were very diverse, one commonality was the aid they received from fellow Basques. They were often met at the dock in New York City with the familiar sound of their language and helped to find a place on the transcontinental train with their names and destinations pinned to their coats. They worked at ranches, farms and businesses often owned by people from their same hometowns. They found conversation, fellowship, and cheer at boardinghouses where they shared the games, drinks, language, and food of their homeland. In Far Western Basque Country these and many other stories are told about the individual immigrants that made up the Basque diaspora in the United States. Some stayed, some returned, some lost money, some became rich and powerful. They adopted their new homeland and its ways. They fought in its wars, celebrated its highs and suffered its lows, but in the face of it, they all remained Basque.

A Man Called Aita

By Joan Errea

$15.00

ISBN 9781935709824

A Man Called Aita is Joan Errea’s loving, moving, heartfelt, and honest tribute to her father, Arnaud Paris—aita is the Basque word for “father.” But it is so much more than that: it is the continued story of her mother, also told in Joan’s book My Mama Marie; it is the story of her brothers Arnaud, Mike, Johnny, and Pete; of her adored Uncle Otto; of ranch hands; and of dogs and goats and sheep and horses and cattle. Written in beguilingly simple rhymed verse, the story is not simple, nor is it entirely carefree—there are deaths, injuries, losses great and small, disease, trials and tribulations. There is humor, there is love, there are grand personalities written across the western landscape. At its heart is a tremendous loss that has been felt by all who have lost a beloved parent. Beyond its deeply personal story, this book is also a testimony to the ranching way of life in the Western United States and the place of Basques within it. Written in the style of the Basque bertsolari, and taking as inspiration her father, who was also a troubador of this oral tradition, the small book you hold in your hands is a true gem of the West.

With an introduction by Pello Salaburu.

The International Legacy of Lehendakari Jose A. Agirre’s Government

Edited by Xabier Irujo and Mari Jose Olaziregi

$32.00

ISBN 9781935709817

This book, the result of an extensive international gathering of scholars from many different disciplines and countries, explores the fascinating life of Jose Antonio Agirre (1904–1960), the first lehendakari or president of the Basque Country. A charismatic figure that in many ways transcended the bitter political divisions of the age he lived through, Agirre’s legacy serves as a timely reminder of how maintaining one’s political, social, and cultural convictions need not necessarily serve as a barrier when it comes to promoting dialogue, cooperation, and diplomacy. A Basque nationalist but also an internationalist and strong advocate of an integrated Europe, Agirre’s biography reads as a testament to the mid-twentieth century experience of war and exile, and the chapters herein explore his life in both Europe and the Americas against the backdrop of the Spanish Civil War, World War II, and the coming of the Cold War.

The Basque Fiscal System Contrasted to Nevada and Catalonia: In the Time of Major Crises

Edited By Joseba Agirreazkuenaga and Xabier Irujo

$35.00

ISBN 9781935709749

The Basque Fiscal System Contrasted to Nevada and Catalonia seeks to analyze Basque fiscal systems in the context of the 2008 financial crisis. It also aimed to develop a comparative vision with the state of Nevada and Catalonia. It treats the politics of finance in multi-level public institutions during the economic crisis; long-term fiscal policies for dealing with economic downturns during the past twenty years; the development of treasuries in federal states, in non-federal states and in complex unions (Europe); taxation and citizenship in a globalized world; long-term trends for dealing with the crisis and strategies for the future in European and North American contexts (the Basque Country, Catalonia, Spain, Ireland, and Nevada). Most of the book’s contributions by distinguished scholars and public officials relate to the Basque Country, providing an analysis of fiscal policies or the evolution of public finances. A contribution on taxation and gambling is also offered. This book serves as a new contribution to studies on fiscal federalism in Europe and America. We hope that these reflections serve as a turning point to promote debate and for the formulation of future research. Fiscal analysis is now an important research line at the William A. Douglass Center for Basque studies, promoted and in cooperation with the regional government of Bizkaia, with the end of promoting research in a comparative perspective.

The Basque Moment: Egalitarianism and Traditional Basque Society

Edited by Xabier Arregi Gordoa and Andreas Hess

$32.00

ISBN 9781935709732

The discussion of egalitarianism goes to the very heart of Basque identity. The purpose of this book is to explore the concept, and to investigate whether egalitarianism is only a myth or ideology or whether there is some real substance and practice to it. This book approaches the topic of Basque egalitarianism from a broad range of disciplines and sub-disciplines, including social and contemporary history, sociology, political science, social anthropology and political philosophy. It also brings together people of different political conviction, spanning the divides that often occur when Basque traditions and ideas are discussed.

Center pleased to announce new publication: Journeys, Fruits, Neighbors

The Center is proud to announce its recent publication Journeys, Fruits, Neighbors, by renowned Basque author Maite González Esnal (pictured above).

Journeys, Fruits, Neighbors is an epic ramble through space and time—from the modern day Fryslân, The Netherlands, to the Basque Country in the years of privation after the Spanish Civil War. The stories are precise and radiant, thoughtful and emotional. They are filled with memorable characters: a Good Samaritan who offers coffee and registers birds, and who is, in his own words, “the master of my sounds, I only hear birdsong”; the railway man, Jean, whose true calling is his garden; and many more. Through these stories the narrator shines, illuminating with her inner musings, memories, and recollections both large and small. In turns contemplative, active, reflective, and expansive the result is a collection that glitters and resounds. Although it resists definition—being part travelogue, memoir, short story collection, and more—it is always filled with insight, stunning imagery, and a deep and wide heart.

Shop for the book here.

Older posts