Author: mvaczi (page 1 of 6)

Mariann Vaczi presents at the 117th Annual Meeting of the American Anthropological Association

CBS professor Mariann Vaczi presented her current research at the 117th Annual Meeting of the American Anthropological Association. The title of her presentation was “Catalonia`s Human Towers: Nationalism, Associational Culture, and the Politics of Performance” focusing on the political deployment of physical culture in the current Catalan sovereignty process. Vaczi`s current research project is based on 1,5 years of fieldwork as a human tower performer in Barcelona, and draws parallels between alternative routes to nationalist mobilization through sport in the Basque and Catalan contexts. The panel, titled “Commemorating and coming to terms with the past” was chaired by James Deutsch from the Smithsonian Institution, which hosted both Basque and Catalan cultural projects at their summer festivals.

Dr. Vaczi`s anthropological work focuses on the interfaces of sport, politics, culture and society in the Basque and Catalan contexts. Her main work Soccer, culture and society in Spain: An ethnography of Basque fandom (Routledge 2015) gained positive critical acclaim internationally, and is now being translated into Spanish.

 

   

“Spanish soccer is on top of the world, at international and club level, with the best teams and a seemingly endless supply of exciting and stylish players. While the Spanish economy struggles, its soccer flourishes, deeply embedded throughout Spanish social and cultural life. But the relationship between soccer, culture and national identity in Spain is complex. This fascinating, in-depth study shines new light on Spanish soccer by examining the role this sport plays in Basque identity, consolidated in Athletic Club of Bilbao, the century-old soccer club located in the birthplace of Basque nationalism.

Athletic Bilbao has a unique player recruitment policy, allowing only Basque-born players or those developed at the youth academies of Basque clubs to play for the team, a policy that rejects the internationalism of contemporary globalised soccer. Despite this, the club has never been relegated from the top division of Spanish football. A particularly tight bond exists between fans, their club and the players, with Athletic representing a beacon of Basque national identity. This book is an ethnography of a soccer culture where origins, nationalism, gender relations, power and passion, lifecycle events and death rituals gain new meanings as they become, below and beyond the playing field, a matter of creative contention and communal affirmation.

Based on unique, in-depth ethnographic research, this book investigates how a soccer club and soccer fandom affect the life of a community, interweaving empirical research material with key contemporary themes in the social sciences, and placing the study in the wider context of Spanish political and sporting cultures. Filling a key gap in the literature on contemporary Spain, and on wider soccer cultures, this book is fascinating reading for anybody with an interest in sport, anthropology, sociology, political science, or cultural and gender studies.” Routledge, 2015

 

 

CBS Book “The Basque Nation On-Screen” Inspires Prestigious Award

The book Creadores de sombras: ETA y el nacionalismo vasco a través del cine by Santiago de Pablo received the 2018 Muñoz Suay Prize awarded by the Spanish Arts and Film Academy. The award recognizes the best works of historical research on the Spanish film industry. A previous version of this book was published by the Center for Basque Studies in 2012 with the title The Basque Nation On-Screen: Cinema, Nationalism, and Political Violence. Professor De Pablo enjoyed the opportunity of serving as William Douglass Visiting Scholar in Reno during the academic year 2009-2010, researching on the relationship between cinema, Basque nationalism, and ETA.

Since its creation in 1997, the prestigious Muñoz Suay Award has supported research on the history of cinema in Spain. Well-known authors such as Ian Gibson, Manuel Gutiérrez-Aragón, or Vicente Sánchez-Biosca received this prize in previous years. The president of the Academy, filmmaker Mariano Barroso presented the prize to Santiago de Pablo in Madrid on November 212018.

The jury emphasized De Pablo’s “great knowledge of the subject, and his unbiased viewpoint of the very controversial subject of the representation of Basque political violence in contemporary Spanish cinema.”

Santiago de Pablo is Professor of History at the University of the Basque Country (Euskal Herriko Unibertsitatea). He specializes in the history of Basque nationalism, and the relationship between history and cinema. He is author of several books, among Tierra sin paz: Guerra Civil, cine y propaganda en el País Vasco, La patria soñada: Historia del nacionalismo vasco desde su origen hasta la actualidador, and Diccionario ilustrado de símbolos del nacionalismo vasco.

https://www.academiadecine.com/2018/11/21/santiago-de-pablo-recibe-el-premio-munoz-suay-2018/

 

       

Sandra Ott`s Living with the Enemy Reviewed in the Journal of the Royal Anthropological Institute

CBS Professor Sandy Ott`s Living with the enemy: German occupation, collaboration and justice in the Western Pyrenees 1940-48 was reviewed in the Journal of the Royal Anthropological Institute. Below are excerpts from the review, and a link to the full text. Zorionak, Sandy!

“One of the book’s great achievements is its vindication of an ethnographic approach to history. Ott fills the fragmentary evidence of trial dossiers with cultural commentary, engaging with eminently anthropological themes such as social structure, neighbourhood, and kin relationships in rural French Basque society; the shifting meanings of commensality and gift‐giving; the culture of letter‐writing; the challenges of wartime parenthood; and ritual shaming techniques such as the public shaving of the heads of women who had engaged in ‘horizontal collaboration’. She also reflects on the ethics of her own research with, and observations of, the surviving witnesses.

Duplicity and ambivalence pervade the book and provide its reigning mood. Boundaries blur between occupiers and occupied, victim and victimizer, friend and enemy. Ott applies Pierre Laborie’s concept of ‘double‐think’, and from the trial narratives there emerges an archetype that war and dictatorship breed everywhere: that of the ‘dual man, who is both one thing and the other’ (p. 18). A symptomatic aspect of the ambiguous mode of wartime existence was that clarity was almost never achievable. It was possible for a man`s status to shift several times and Ott gives the following example:

from his arrival in January 1939 as an exiled Spanish Republican (an outsider), to his entry into the French army (as a transitional insider), to his work in 1943 as a clandestine guide (an ‘enemy’ to the German occupiers, a ‘patriot’ to supporters of the Resistance), to his alleged ‘double game’ in 1943‐1944 as a passeur and a paid informer (an ambiguous status with the occupiers, a traitor to the FFI), to his victimization in 1944 by the Nazis (an adopted insider who had suffered deportation for France), to his victimization by the postwar French authorities in 1944‐1945 (a seemingly treacherous outsider who had endangered the lives of French patriots and Allied supporters), and finally his exoneration in 1946 (as a ‘loyal servant to France’ and thus more of an insider than ever). López was not a dual man; he had a multiplicity of ‘faces’. (p. 190)

‘It’s too soon to talk about the war’, Ott was told in the late 1970s, when she first conducted ethnographic fieldwork in the Basses‐Pyrénées. Almost thirty years later, they told her it was getting too late – people were dying. There is a sense in which addressing historical trauma remains chronically inconvenient, as we see in other post‐authoritarian settings such as former communist countries which struggle to come to terms with their own dual men: informers, many of whom still live alongside the informed. Living with the enemy reminds us of the urgency of catching the last witnesses before it is too late, and provides an excellent model for how to do it.”

For the rest of the review, please visit: https://onlinelibrary.wiley.com/doi/full/10.1111/1467-9655.12929

 

   

Visiting Scholar Haritz Azurmendi Speaks on Basque Nationalism at the CBS Lecture Series

Haritz Azurmendi is a visiting scholar from the University of the Basque Country (EHU-UPV). Azurmendi gave an engaging lecture at the CBS Lecture Series late October, where he addressed Basque debates about nationalism from a historical and contemporary perspective. Tracing the evolution of Basque nationalist thought over 1968 to 2018, the lecture situated Basque discourse about identity and nationalism within the broader intellectual debates between the Modernist and Ethno-symbolic schools.  To what extent, Azurmendi proposed, is Basque nationalism a product of the Enlightenment, of capitalism and of the general resurgence of nationalist movements in the 19th century? To what extent does the emergence of Basque nationalist symbols constitute a pattern of a Hobsbawmian “invention of tradition”? Alternatively, how do they draw on pre-modern ethnic memories? Azurmendi presented the evolution of Basque nationalism as a contested ideological terrain where left wing abertzalism, right wing bourgeois nationalism, Marxism and post-colonial discourses competed for diverse interpretations of the nation.  He identified the initial phase of these developments as the First Renaissance that relied on the exaltation of the peasantry, traditionalism, folklore, and a certain romanticism of rural life. The Second Renaissance, in turn, drew from urban modernity, existentialist thought, and social poetry. Azurmendi discussed the fascinating debate among public intellectuals concerning the question of why, and to what end, is one to speak Basque, with arguments ranging from sentimental reasons to justice, the importance of choice, and the defense of local culture. Azurmendi concluded that in light of the current Catalan crisis and Spanish reactions to it, we must re-think Basque nationalism and its diverse appeal to discourses about the “post-national subject,” the right to decide, democratization, independence, and the role of the Basque language.

Haritz investigates the idea of the nation in Jose Azurmendi`s work as a PhD student in the department of Political Science at the University of the Basque Country (EHU-UPV). He is using the CBS library resources to finish his dissertation, which he will defend next summer. This is what he said about his stay in Reno: “I try to travel around at weekends. I have visited such must see places in the neighborhood as Lake Tahoe, Mount Rose, and I am planning to go to Lake Pyramid soon. I also enjoy historical visits to places like Virginia City. And, of course, I love meeting Basque Americans and hear their stories and memories!”

Haritz`s talk ended with a lively discussion among the faculty, students and visiting scholars of the Center for Basque Studies. Eskerrik asko Haritz!

      

 

 

 

 

 

Basque Books Round-Up 2018

It has been another busy and exciting year for Basque publishing! The year started out with our attendance at the Cowboy Poetry Gathering in Elko, Nevada. Our booth there was very well-attended and we launched local Elko author Gretchen Skivington’s novel (a past winner of our Basque writing contest) Echevarria. In addition to selling the book at our booth, we also hosted an event at which the work of Joan Errea was read by your Basque books editor, Florence Frye read from her stories about growing up in Gerlach, David Romtvedt read from Zelestina Urza in Outer Space, and Gretchen presented from her new book as well. The spring continued with the publication of our director Xabier Irujo’s short history on the bombing of Gernika, The Bombing of Gernika: A Short History. The publication was celebrated in Winnemucca in conjunction with the Basque festival and NABO convention held there with another booth and with a wonderful dance performance about the bombing of Gernika by Lamoille, Nevada dancers Ardi Baltza. Ardi Baltza continued presenting the dance and the book at events in Gooding, Idaho, and Elko, Nevada, among other places.

It was with great pleasure this year that we published At Midnight by the late Javier Arzuaga. This tremendously interesting story recounts the experiences of a young Basque priest counseling to condemned prisoners in the aftermath of the 1950s Cuban revolution. It is a tremendously powerful story about doubt, faith, human kindness, and the confrontation with the eternity. In a masterful translation by Cameron J. Watson, this book is a must read!

Bertsolaritza has also been a theme of the year, with Basque bertsolariak also attending the Elko Poetry Gathering and a book forthcoming with shared articles on the oral poetry form and the experience of poetry in the Western United States. In addition, we published World Improvised Verse Singing, edited by Xabier Irujo, a collection of articles on improvised and other oral poetries from around the world.

The tenor changed with our next publication, Stories of Basque Mythology for Children, by Bakarne Atxukarro, Izaskun Zubialde, and illustrated by Asun Egurza. This delightfully and colorfully illustrated children’s book runs the gamut of classical Basque mythological tales, all translated by students from the USAC program in Donostia-San Sebastián.

In addition, a collection of article based on the conference that was held in Iceland regarding the massacre of Basque whalers there hundreds of years ago was presented, Jon Gudmundsson Laedi’s True Account and the Massacre of Basque Whalers in Iceland in 1615, edited by Xabier Irujo and Viola Miglio. The story not only talks about the Basque whalers, however, but also the Icelanders, including especially Jon Gudmundsson Laedi, who rejected their countrymen’s violence and sought to present the truth about the events far out in the Atlantic. And it will continue to be a busy fall, with the current launch of a new kind of book for us, Meggan Laxalt Mackey’s, Lekuak: The Basque Places of Boise, Idaho, this richly illustrated book tells the story of Basques in Boise from their roots in trans-Atlantic migration and the sheepherding industries to their modern contributions to the city of Boise and the state of Idaho, an influence that will continue to be felt deeply into the future. And in production is the next installment of the Basques in the United States, with many more names added; Asun Garikano’s Kaliforniakoak, a history of Basques in California; a collection of articles on German and Nazi influence in the Basque Country and Catalonia during the Civil War and World War II, and our classic, the first English translation of the diaries of the first Basque lehendakari, Jose Antonio Agirre, in a richly annotated edition, and much more.

             

CBS Graduate Student News 2018

Kerri Lesh, supported by a Bilinski Fellowship, will defend her dissertation next Spring. In November, she will be presenting a wine tasting as well as on the panel, “Food, Money, and Morals: Semiotic Reconfigurations of Value,” for the American Anthropological Association. Her recently gained title as a Certified Specialist of Wine compliments her research which has allowed her to present for Academic Minute and the radio show, “The Good Life”.

 

After successfully completing her comprehensive exams and teaching her first course for the CBS, Edurne Arostegui took off to Euskadi to conduct field work. Her current research deals with Basque women’s migration to the United States. She hopes to track down return migrants and family members for interviews as well as consult archives and municipal records. She will also participate in conferences and present her work at various universities.

 

Marsha Hunter is a second-year PhD student who is currently completing her course work on Basque culture, history and politics. She is preparing for her comprehensive exams in May 2019, expanding her research on Basque nationalist activity in Idaho during the first half of the twentieth century.

 

Callie Greenhaw is the newest Ph.D. student at CBS. In addition to her course work, she is participating in the ACUE certificate program “Effective Teaching Practices in Higher Education”. This semester, Callie is contributing to the CBS blog, organizing the CBS’s Fall 2018 Multidisciplinary Lecture Series, serving as a TA in Dr. Ott’s Basque Culture class, and starting her research on the Basque community in Elko, NV.

 

 

CBS Faculty News 2018

Xabier Irujo participated in the commemoration of the 81th anniversary of the bombing of Gernika. As part of the events, he collaborated with the City Council of Gernika to inaugurate the “Itinerary of Memory,” a route through the most affected scenes of the raid. This consists of a tour of the eleven most significant points of the bombing, marked with several testimonies of survivors and photographs. It was an initiative that combined three paths: historical research, the testimonies of the survivors, and the possibility to see what Gernika was like before the bombing through QR. Dr. Irujo also participated in the conference “Experiment Stuka” on the occasion of the 80th anniversary of the war experiments carried out by the Condor Legion in Alt Maestrat. He also co-organized three international seminars with the University of the Basque Country, the University of Barcelona, and the Public University of Navarre. Dr. Irujo addressed the Parliament of Uruguay as part of the events that took place during the III. Seminar on Basque Studies in Montevideo. He gave thirty lectures during the spring and summer semesters. His 2018 book 778 on the battle of Rencesvals/Errozabal had a wide media impact this summer in the Basque Country. He was invited to give the keynote lecture on this topic by the Orreaga Association in Pamplona and in Errozabal.

In 2017, William Douglass published an article on immigration policy (“Gizon bikarti baten mamuak”) in a book on the Trump administration (Trump amesgaizto amerikarra) edited by Arantxa Elizegi Egilegor. In 2018 he was interviewed by Las Vegas Public Television for a “Basques of Nevada” program in their Nevada Outdoors series. On May 18, 2018, he presented former Basque President, Jan José Ibarretxe, as the lecturer for the Second Annual William A. Douglass Annual Lecture in Basque Cultural Studies at the University of Massachusetts, Amherst. On August 22 he addressed the 25thannual dinner of the Estate Planning Council of Northern Nevada at Louis’ Basque Corner, Reno, on the subject of “Basques in Nevada.” He was also interviewed by Yvonne Gonzalez for her article entitled “Q+A Expert Discusses Basque History, Culture in Nevada” that appeared in the August 25 issue of the Las Vegas Sunnewspaper. On September 7 he gave an address on immigration in Agnone, Isernia (Italy) on the occasion of the book presentation of the second edition of his work L’emigrazione in un paese dell’Italia meridionale: Agnone tra storia e antropologia(Isernia: Cosmo Iannone Editore, 2018). While in Agnone, Douglass was interviewed by Radio Euskadi (via Skype) for its coverage on September 8 of the Day of the Diaspora in the Basque Country.

During the Spring semester Joseba Zulaika has been on sabbatical with the purpose of finishing his manuscript on drone warfare. Hehas published the following articles: “What Do You Want? Evidence and Fantasy in the War on Terror,” in Mark Maguire and Ursula Rao, eds. Bodies as Evidence. Yale University Press);  “La última cena,” “Cenizas y rosas,” In Carles Guerra, ed., La paz aplazada. Documentos y ensayos en torno a una exposición. Barcelona: Fundació Antoni Tàpies; (with Anna Maria Guasch), “The Gaur Group in the Context of Post-War Basque Art: The Test of Modernity,” in Jacques Battesti, Gaur, 1966: L’Art Basque sous le Franquisme—Resistance et Avant-Garde. Bayonne: Musee basque et de l’histoire de Bayonne; “Self-Fulfillling Prophecy,” Wiley Blackwell Encyclopedia of Sociology, 2nd Edition. During the months of February and March, Zulaika taught a course on the Bilbao-Guggenheim Museum at the University of Liverpool. On March 8, he gave a public lecture on “City, Architecture, and Labyrinth” at the University of Liverpool. On May 14, he lectured on “The Architecture of Borderless Drone Warfare” at a symposium on “The City and Other Policies” organized by Tabakalera, San Sebastian. On June 22, Zulaika also gave a public lecture in Itziar, “The Beginning and End of ETA,” with the occasion of 40 years after he began his fieldwork on Basque political violence.

On July 1, 2018, Sandy Ott was promoted to full Professor at UNR. In 2018, she published two book reviews: The Pyrenees in the Modern Era: Reinvention of aLandscape, 1775-2012 (London & New York: Bloomsbury Academic, 2018), 276 pp., for H-France Review, and a review of Diary of the Dark Years, 1940-1944 by Jean Guéhenno (Oxford: Oxford University Press, 2014), 304 pp., for H-France Review. She did two podcasts about her book, Living with the Enemy: German Occupation, Collaboration, and Justice in the Western Pyrenees, 1940-1948 (Cambridge University Press, 2017): one for Historica (which focuses on the history of Spain) and another for the German Studies Review. She continues to serve as Interim Chair of Communication Studies (since July 2017).  In the Spring of 2018, she received the Dean’s Award for Outstanding Service in the College of Liberal Arts. This Fall, Ott is teaching a course on “Basque Culture” with 32 students—none of whom has any Basque connections. They have learned a few Basque words and later this month will be treated to some singing by Louis Irigaray. Students will also hear about his experiences growing up as a Basque American in California. As Sandy says to her students, “since I can’t fly you all to the Basque Country, I’ll do my best to bring Basque culture into our classroom.” During the summer, Ott started a new research project in the Departmental Archives of Baiona and in the National Archives in Paris: the experiences of Jews in Iparralde and Bearn during the German Occupation and in the post-liberation years. She is working on the spoliation of Jewish property by Vichy and the Germans and the attempted restitution of such property by Jewish survivors of the Holocaust in the post-liberation years.

Mariann Vaczi`s recent publications include “Football, the Beast and the Sovereign: The Politics of Joking Relationships in Spain” in the journal of anthropology Ethnos, where she addresses fan protests against Spanish state symbols at soccer games. Given the salience of anthem protests at sport events in the US as well, the New York Times interviewed Dr. Vaczi in April 2018 for its cover of the Spanish King`s Cup final. She has served as editor to a monographic special issue titled Sport, Identity and Nationalism in the Hispanic Worldat the Journal of Iberian and Latin American Literary and Cultural Studies(SIBA), including two of her own contributions in a roster of 13 authors. In 2018, Dr. Vaczi finalized additional publication projects about sport in the Basque Country and Eastern Europe, forthcoming and published in the journals Revista de Dialectología y Tradiciones Populares, and Communication & Sport. Dr. Vaczi`s book review of CBS colleague Sandy Ott`s Living with the Enemy (2017) is forthcoming at the Journal of the Royal Anthropological Institute. At the invitation of Routledge, Dr. Vaczi is editing a volume with the title Sport and Secessionism with Alan Bairner from Loughborough University, convoking 17 authors from diverse contexts across the globe. Most importantly, she is eager to finish her second ethnographic monograph, this time on sport and the Catalan independence movement. Besides her classes about Basque culture and transnationalism, Dr. Vaczi has also developed a course called “Sport and Society from a Global Perspective,” which she will teach in Spring 2019.

 

Agur Dan! Eskerrik asko eta ondo ibili!

It is with great sadness for us at the CBS that our book productions editor, Dan Montero has decided to leave and “seek new challenges,” as he put it. Today is his last day of work. Many thanks, Dan, for the wonderful books you produced, and for being a great friend and colleague!

Dan has served as publications editor for the Center for Basque Studies since August, 2009, during which time he has managed the publication of books on many Basque topics. He sat down and recalled some of his favorites, “there can’t be any single story like that of Oui Oui Oui of the Pyrenees, it is a publisher’s dream. The manuscript, written by local artist and Basque Mary Jean Etcheberry, was brought to us by her grandnieces as a carbon copy of a typed manuscript that had been passed down through the family. Artwork on original blocks. And a story that grabbed me as soon as I sat down to read it, it is a really beautiful book and I feel so lucky that I got to work on it.”

Another exceptional story that he recalls particularly fondly is that of Winnemucca, Nevada author, Joan Errea, and her tremendous memoirs about her mother and father, My Mama Marie and A Man Called Aita. Joan had published the books in spiral notebooks, with drawings by Bert Paris, but it was her daughter, Lianne Iroz, who brought them in to the Center. “I’ve particularly loved the homegrown books about the West we’ve done,” he recalls, “especially My Mama Marie, I can almost imagine Marie stepping down from the train and being spoken to in Basque by her future husband, Arnaud Paris. And knowing the place where it happened makes it all that much more meaningful.”

When asked about the specific challenges that he has enjoyed about publishing Basque books, he answers, “in general, it has been a pleasure to work in a place that takes on so many and so many complex translations, from Basque usually, but also Spanish, French, and even German!”This was the case with the publication of The Selected Writings of Alexander von Humboldt for the Basque Classics Series. “Translations were especially hard because I don’t have much Basque, but I had the masterful editing of Cameron J. Watson. Without him many of our books would not have been possible, he is a true scholar in the best meaning of the word and I will miss working with him and our weekly Skype meetings!”

Other highlights he recalls fondly are sales trips he made the Durango Azoka, for him “a deeply meaningful cultural event that I was blessed to be a part of, and to meet so many great Basques at our booth.” And a trip to Buffalo, Wyoming, for the NABO Convention, “it’s an incredible part of the world,” he says, “and it means even more to me because, even though I had never been there, I imagined it and held it dear due to working on Buffalotarrak and Zelestina Urza in Outer Spaceby David Romtvedt, a truly special novel.”

He also would like to thank all of the visitors, grad students, and friends who have spent time at the Center; professors Xabier Irujo, Sandra Ott, Joseba Zulaika, Mariann Vaczi, and professor emeritus Bill Douglass, for their dedication to research on Basque culture; and all of the student assistants who have helped him through the years, especially Kim Jo Daggett, Joannes Zulaika, Ezti Villanueva, Meg Montero, and Carly Sauvageau. He has a special thanks for Kate Camino, for being a great coworker and friend, and for “holding the place together.” He adds, “I give my most heartfelt thanks to all those people who have picked up and read one of the Basque books I’ve had the absolute honor of working on while I have been here. I love books more than just about anything, and without readers there are no books. So mila eskerto our readers!”

We wish you all the best, and hope to see you around sometime! Agur Dan, eskerrik asko eta ondo ibili!

                         

 

 

At Midnight: Book Review by William A. Douglass

A few years ago I was co-organizer in Havana of a conference that eventuated in the publication of the book entitled Basques in Cuba (2016).  My collaborator was a famed political exile and extraordinary figure in Basque letters, Joseba Sarrionandia. In addition to our conference we were working on an English-language translation of his poetry. That anthology is now completed and should be published within the next several months (our working title is “Prisons and Exiles”). But that is another story.

Joseba insisted at the time that I consider arranging for English translation and publication by the Center for Basque Studies a book entitled A medianoche by a Basque former priest Javier Arzuaga. I read it as a favor and was dumbfounded. Arzuaga was the priest of the parish that included La Cabaña fortress, presided over by Che and the site of show trials, brief imprisonment and then execution of certain officials in the army and government of Fulgencio Batista. For the first four months of the process, Arzuaga was permitted to accompany condemned men for the few hours before their extermination. He was present at fifty-five executions before suffering a nervous breakdown.

Arzuaga describes his encounters with Che and Fidel, as well as his own evolution as a supporter of the revolution to critic of it. He provides extraordinary human profiles of the revolutionary officials conducting the proceedings, as well as of several of the condemned men. Particularly riveting was his internal crisis of conscience, since Arzuaga had become estranged from the Catholic hierarchy (he eventually left the priesthood) and doubted the very message of redemption and an afterlife that he employed to console the doomed men.

As a 78-year-old writer in the twilight of a lengthy career, I cannot begin to estimate how many books I have read—certainly thousands. Yet I can say that none has been more disturbing or memorable than At Midnight.

Musikene and the CBS Compile the History of Basque Music

The Center for Basque Studies and the Higher School of Music of the Basque Country, Musikene, have organized a conference on the history of the Basque music from Prehistory to the present times. The conference took place on June 28 and 29 at Musikene in Donostia-San Sebastian and the pianist and professor Jokin Okiñena offered a piano recital.

After a concert Prof. Okiñena gave in Reno in 2016, he and Xabier Irujo spoke about the existing void in relation to the history of Basque music since the publication of Arana Martija’s work in 1987. To carry out this task, the Center for Basque Studies signed an agreement with Miren Iñarga, director of Musikene.

The resulting volume coordinated by professor Okiñena will be published by the CBS. The project, which emerged thirty years after the publication of the last historical analysis of Basque music by Jose A. Arana Martija, will systematize the history of the Basque music from prehistory to the present and will include a separate section on the contribution of women to this relevant aspect of the Basque history. This is a novel project whose first sketch emerged in 2017 with the signing of an agreement between Musikene and the Center for the celebration of a conference and a piano recital and the publication of a book.

The conference has brought together nine experts on different aspects of the Basque music. Prof. Elixabete Etxebeste lectured about the history of the Basque music from Prehistory to the Middle Ages; Prof. Sergio Barcellona talked about Renaissance and Baroque; Prof. Jon Bagüés about Enlightment; Prof. Isabel Díaz about Basque Music in the 19th century; Prof. Iosu Okiñena about Basque music and Nationalism, Itziar Larrinaga lectured about the Basque music during war and dictatorship (1936-1978) and Mikel Chamizo about contemporary Basque music (from 2000 to the present.) Finally, Prof. Patri Goialde and Mark Barnés lectured about Basque jazz and Prof. Gotzone Higuera focuses on the contribution of Basque women to music.

Program

June 28:

10:00 Opening

10:30 Prof. Elixabete Etxebeste. Prehistory, Antiquity and Middle Ages

11:30 Prof. Sergio Barcellona. Renaissance and Baroque

12:30 Break

13:00 Jon Bagüés. Basque music and Enlightment

14:00 Lunch

15:30 Isabel Díaz. Basque music in the 19th century

16:30 Gotzone Higuera. Basque music and women

17:30 Break

18:00 Patri Goialde y Mark Barnés. Jazz in the Basque Country

20:00 Piano recital by Josu Okiñena

 

June 29

10:00 Josu Okiñena. Basque music and nationalism

11:00 Itziar Larrinaga. Basque music during war and dictatorship (1936-1978)

12:00 Break

12:30 Mikel Chamizo. Basque music in the 21rst century

13:30 Conclusions

14:00 Lunch and meeting of the scientific committee

 

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